new alias for richard gateaux (aka phoreski) dropping two essential jams for the soft rocks boys on their kinfolk imprint. this devil can dance is a scary anthemic electronic dance monster from the left that will slay many a dance floor this year and has legend written all over it. add to the mix the downtempo delight lone soldier theme that takes a different electronic route with it s echoes of assault on precinct 13 / escape from new york filmic vibe this makes for an essential package.

francis inferno orchestra has steadily released a number of successive calls to the dance floor over the last few years. from smashing pianos on 3am piano thing to bouncing harmonizers on hezbolla, fios simple and subtle approach to song writing is his best asset and the reason we love his music

vinyl sampler 4/10 of the sound of belgium. the compilation cd

following her previous two long players, baden-baden and los angeles on monika enterprise f.s.k. bassist and visual artist michaela melian now continues the theme of geographically titled albums with monaco.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

philpot finally presents reboot joy confession’,s album debut! after two fantastic 12inches for us in the last two years we decided it was time to collect all these fine tracks they presented to us, but weren t really 12inch single material.now, beautifully skit-connected, it all makes for one outstanding album, flawlessly fusing boombap, latin, jazz, psychedelica and raw house aesthetics and so much more!so, take some time out, make yourselves comfortable and let them put a spell on you!

the first world unknown 12 inch of 2012 is a double header of throbbing midtempo techno and as with all world unknown releases from now on both tracks have been mastered for vinyl from ½ inch tape for maximum sonic excellence. on side w semtek from dont be afraid joins forces with his afterparty alter-ego chardonnay and a certain rather well known og hipster poet on >tacos for dinner<, an extremely modern and massively psychedelic trip into the outer mind. this clicking, bleeping, fizzing and throbbing ten minute excursion has been road tested from acetate by andy blake for many months and always sends the club somewhere very special and ever so slightly scary. on side u scott fraser delivers >remains the same<. its a notch or two less pacey than side w but no less powerful or psychedelic. its earthy vibe and pounding, throbbing tones have been part of andrew weatheralls sets for some time now and its not hard to see why. when the full percussion finally comes crunching in like a breakbeat on top of the ever-present heavyweight bassline its disco pandemonium time. in short, possibly the best 12 inch so far from wu.

home recordings is back after home008 the well played asso ep by austriasmartin mueller. this time we have a grounded techno 4 tracker on home009 ripped on by global top players likeone of the most popular us producerslester fitzpatrick. on the a1 side mattias fridell aka mechanical heros our new member from sweden start things off with some energising beats. a tricky vocal in the track fits exactly to the mechanical rythms of this pumpin cut. a2 is vegim the man behind tmm records and planet rythm artist andreas florin teamed up here to deliver a primetime killer. dancefloor madness from a new collab as epexcted. b1 kicks off with martin mueller in a asso remix by chicagos bad boy lester fitzpatrick. he delivers a tight remix with a great dynamic on his debut for the austrian label. b2 is the return of wrexfords based finest lee holman to home recordings. his track comes up with a well programmed bd. what runs asolutley winning to the spacey scary synth line. thats real deep magic.

something - a raw & pure monster of a track is not wasting any time for shifting layers or building up loads of unnecessary things. once the needle scratches the surface of the record > something< immediately unfolds its strength and power. thus, the suddenly emerging voice sample that sounds kind of scary easily creates an atmosphere like being morphed into a party of ghosts and dungeons going nuts while listening to this ultraphat hypnotic techno-tune from berlin. this track guarantees the full amount of peak time pleasure and sweaty walls inside the top clubs around the globe within the next months. for the flip-side freakshows 24th release delivers a very special remix version which does not need to hide behind the original. techno music veteran literon is contributing his creativity and production skills that he has been developing since he entered the scene almost 2 decades ago

in a time when rock critics saw the prodigy as a glorified keyboard player flanked by a couple of weird and scary dancers, liam howlett & co showed the world how dance had evolved away from the club scene and into the festivals & arenas.
and they did that by staying true to their own sound. while dance moved from acid house to rave to ambient to breakbeat & drum n bass, the prodigy changed their brand of hard-hitting breakbeat with king-sized hooks and unmissable samples only sparingly.
always outnumbered, never outgunned was the long-awaited album after their breakthrough smash fat of the land. featured on the album are namesake liam gallagher, kool keith, twista and even juliette lewis, morphed and wrangled beyond recognition on an album that goes back to the core of what the prodigy stands for: a thumping bass, mad beats & noise flying every which way but loose!

this cut by dobws co-funder jerome catalepsia bazzanella, is a straight and heavy on the floor slice of futuristic techno, constructed around a cyclic discoid baseline. as distressing sci-fi effects collides and crash into each other, a dehumanized vocoded voice enunciates random numbers. scary.

following on his recent success with crosstown rebels, quenum is back on his own label.
a1: road 66 - compact like the tarred road, let the hypnotic vocal guide you on your journey on road 66, go along for the ride.
b1: somebody in my bed - irresistible old school rhythm enriched with quenums signature intricate sounds and deep bassline, is the mysterious voice scary or sexy, is it a man or a woman? does it matter?
b2: running man - countdown to a killer deep track that hits you with the regularity of a long-distance runner

in the wake of their great bunker and som releases, its time for the exaltics to unleash their unique brand of brooding and dark electronix tech-fi onto creme eclipse aka the living planet. it may sound scary at first but lucky for you it all ends in a crop circle rave!

for their new release, >with our heads in the clouds and our hearts in the fields<, these two have somehow gone back in time to capture the sound of glacial moving, dark cough syrup pop music. mr. wiltzie has manipulated his trademark stars of the lid sound of haunting ambience, deconstructing, and funneling it through the beautiful voice, and song compositions of chantal acda. together, sleepingdog have gently abducted these gaseous tones, and choruses of pacific tree frogs into some beautifully crafted melancholic orchestration that reminds us all that we exist in a world of strangers, drifting only two feet apart. >with our heads in the clouds and our hearts in the fields< is sleepingdogs third album after >naked in a clean bed< (zeal - 2006) and the critically acclaimed >polar life< (gizeh/zeal - 2008).
comes on clear / translucent vinyl, including code for free digital download.

scary looking new 12 inch on amsterdams dekmantel imprint. 3 deep and insightful new jj&j tracks with a top notch remix from ra.h (morphine)! including poster in the plastic sleeve, limited to 500 copies.

in an era of heavy discotheque music played in dark cavernous spaces, light club offers a positive alternative with night bulbs. picture cruising down the highway in a 1985 volkswagon scirocco at 4am at a speed so fast that the passing lights blurrr into a sweeet neonesque glow. light club is that glow. almost like a ghost, a good one, not a scary one, perhaps the ghost of rick james... or nick nolte, wait, he is not dead yet. regardless >light club - night bulbs ep< is both a feeling and a moment caught on one spiffy myor 7 inch.

one year ago boys noize released his second album >power< and here come the last singles: the double a-side trooper / nott plus remixes by robert hood, paul chambers, shadow dancer, phon.o and strip steve. listen to trooper and you immediately feel part of a movie - a dark, powerful tech strenght, big drum sounds and the scary voice machine system is something you haven’t heard before, for sure! boys noize had the big honor of getting a remix by techno-godfather robert hood.

ich rieche blut is the hardtechno project by fiv from spain. for the fourth release he comes hard once more with the help from his friends malke, psychodrums and obnoxious sound. scary stuff for the demon djs out there!

the west coast series continues... after the huge hasbeens release its sumerian fleet with a amazing 5 track ep full of big dark wave inspired tracks. the perfect sound track for a movie such as irreversible. scary, haunting and dirty! do we hear some influences of the cure? liaisons dangereuses? adult? front 242? john fox? by far the most inspiring electro release we have heard in a while with its crazy industrial drive and dirty machine funk and robotic synths. btw check out that last track blech erkrankung... that track alone is worth buying this record! big.

second part of dj breaks series by franck roger with 6 great tracks!

as the days get darker so shall the music, so on that note we welcome back the fold moscows own polymorphic with the ever turbulent rock on ep. this time out polymorphic delivers the goods with 3 new tracks, rock on, scream & move faster. the ep also features a remix of the title track by marseille who also had a hand it turning out proxys raven last year. this ep is not for the feight at heart. both mixes of rock on tear things up with a decidely old school electro undercurrent while keeping things noisy and agressive on the top end. and there s only one thing we can really say about the last two tracks because they are that scary... scream will make you move faster.

incl. kolombo / sasse/ boogie drama rmx! nikitin – the fastest growing producer from russia, after appearing on gu finally coming out on native russian label – highway. coming out from nikitin & semikashev duo, now its nikitins solo work. as usual prime time blockbuster with scary theme!

the mind melt keeps melting. pretty soon we will just be puddles of freaky essential oils, reduced down to our effervescent essence, like jasmine, or dry kool-aid. of course we are talking about onur Ízers album kasmir, the gift that keeps on giving. once again renowned artists have come out in full force reworking selected tracks off onurs album for vakants remix-only vr. first up is mr. rajko m³ller, better known as isolÚe, who having spent some time growing up in algeria, continues with the african remixer theme (tunisian born loco dice remixed eclipse on part 1. you know us, as if we even need an excuse to work in africa somehow.) isolÚe takes onurs otherwise chilling innervoice and reinterprets it into a thick warm blanket of reassuring bounce. flipping the record inverts dimensions of time and space. abyssfully deep legend baby ford takes the already ethereal aida and turns it into the soundtrack for finding the god particle. its scary, yes, but ultimately it could explain everything.

this is the first in a series of three various artist 12 inch releases, that features four of the dublin labels most trusted henchmen. puresthatreds >robbery< is his debut track on mantrap and what an awesome one it is: dark imposing bass and beats meet the sound of smashing glass, rave led keys and all round mayhem, with haunting strings that send this one into deepest hell. meeting him there is magnetize, who in one take supplied this evil vox led synth grinder in >distant observer< , with deft 808s and distorted crackling fx creating both a scary but grooving feel. rory st john pushes wobbly techno eccentricity on >dysentry<, with fluid editing and supreme use of effects proving again why he is one of the most exciting new talents around. sunil sharpes >print more money and shut up!< is a slippery mover, where a succession of unruly lead sounds accompany odd vocals and rasping hats - with a straightforward approach that will penetrate all in its way. so, four top class techno cuts here, all with their own unique character and all for peak time play.

a new beginning is always an euphoric and scary step towards the unknown. the euphoria comes right after the original idea, when first signs of feasibility are shown. then comes reality. i think that nobody is able to eradicate reality (or what a common society sees of it) out of his mind, though art allows us to escape temporally this fiction. its not an easy task to achieve and artists hold in their hands, intellects, souls and guts a great responsibility. terpsichór? will be a support that transfers this responsibility to others: the artists, the public, the crowd, the souls, the dancefloor

nice price deal !!! incl remixes by gui boratto and pascal f.e.o.s. !! you don t need to be a dj or producer to know who is scsi-9. these moscow techno pioneers already worldwide known. performed all over the world and famous for their kompakt, trapez, morris audio and traum releases. now they became a part of powerful international highway family. tierra del fuego – the land of fire. and the track will set you on fire! from the first seconds this one will not leave any chance for retreat! only go forward. power chords, sci-fi scary sounds and vocal sample will do amazing job. if you are searching hours all over internet for something unique – this masterpiece is yours!

the deadly duo return to the nations hottest floors with an outing on whorehouse. rio rhythm band salsa flavours mixed with liberal chunks of alex gaudino and some seriously phat beats, the package is topped off with a spacey rework from the whores themselves, using scary rave stabs - dancefloor dynamite.

hardtechno & terror tracks !! cannibal sublabel domestic violence presents its 5th piece of aggresive mayhem. this time lexis thrashes everything around him and leaves nothing but victims. he takes everything he wants, puts it in a blender and claims it to be his property. all resulting in a piece of vinyl that will make your ears bleed. not for the scary amongst us... show what you are made of and dare play this out in the clubs

similiar to some of sleeparchives tougher remixes, this is perfect for dark, scary dancefloors over on the wrong side of town

heavy support by : troy pierce, tony rohr, cari lekebusch, tim xavier, massi dl, jesper dahlbäck, xpansul, holgi star, par grindvik. the fourth rompe comes from alexi delano!! trippy, dark and scary minimal techno from outer space

like a techno nightmare, an android dreamland where synthetic enemies line up to kill you with lasers and other futuristic stuff, >drama< is seriously scary business. as you should be expecting from this crew by now the flip is no variation from their deep and dark theme.

one of ibizas top summer of 2007 songs, revered dennis ferrers >touched the sky< is served up three different ways here. managing to make its gospel house chorus sound almost scary yet distinctly house, joe claussells remixes defiantly add something new to this song. multi-layered and complex, the song rewards listeners with finding something new about the track every time its spun on the dance floor. and the deep, diva style vocals from mia tuttavilla are warped in >joes dub beats< into static-y notes that fit perfectly inside the hidden pockets of this remix. this is perfect music for after-hours. and in the same vein, >yass dubstrumental< adds another layer of something fresh andstraight out of left field on this massive hit from ferrer

um die glatte zehn voll zu machen, lässt es sich der labelinhaber natürlich nicht nehmen, einen eigenen track zu releasen. das original ist ein ruhig dahinschleichender electrohouse track mit kurzen abwechselnden breaks und schönen melodieeinlagen, die unglaublich hypnotisch wirken. trick&kubic (great stuff rec) machten daraus eine super techhouse nummer mit neotrancigen einflüssen, und die jungs von ampere drehen voll auf, indem sie den basslauf absolut peaktimetauglich hochschrauben, um den hörer früher oder später quasi zu zersägen. der g.t scary mix besticht durch seine variationen und ist der einstand des neulings auf kb records!!!! diese platte kann definitiv ein hit werden und sich in die herzen aller frohgesinnten technofreaks spielen

volume two is the hot sequel to volume one, which was released in spring 07, and also follows megalift ep on planet mu and a cassette release on his own funbox imprint, >eurostar acid<. the style is techno / acid / house / drum and bass / experimental /ambient

deep dark disco tracks from unit black flight. slow driving and scary soundtracks that can be compared to legowelt his squadra blanco project. comes including a legowelt remix which sounds very much like a morricone soundtrack. limited edition of 500 copies

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

dark and spooky. osvaldo steps up to the couldron with some mysterious rhythm trickery. please welcome our new vampire buddy osvaldo. he is not scary but funny and geeky. recording here from now on, you will know him as bruno pronsato that fly italian dude who has been rocking the scene! so here it is, a full ep of four cultured cuts to stoke your fires and increase vibes in general... support from shonky...

rockin killer remixes from arnaud rebotini and misc !!!

gwen maze is back with his second eo for dialect with two tracks full of bumpy, clubby and bassy groove elements !!

new york voodoo mastermind tony rohr has done it again. tony rohr loves you all (aptly titled) presents the listener with 10 tracks of dubbed out electronic goodness. no matter what your favorite style, genre, >scene<, or whatever… tony is sure to deliver a track or two on this album that will catch your ear, have your toes tappin and put a smile on your face in no time! tony returns a bit more to his harder roots on the album with tracks like twentyfour, el sonido, and the i love techno anthem super kool hoon. with infectious synth lines and tribal percussion, these are the perfect tools to rock the dance floor

fieber part 2 kommt super frish mit minimalen jackigen und auch electro techhouse (a la get physical) angehauchten krachern daher !!! maximaler partykracher

the song starts with moroder alike bassline before the sweet but downright mean vocals from kiki kicks in, followed by more dark italo flavoured synthlines and pads before finally reaching a climax of humoungous propotions after the break. kiki delivers the vocal in a dark manner where you actually ask yourself is this the kiki we know.. scary !allready on heavy rotation by ewan pearson, tiefschwarz, … will be big!

drain is build around a thick skankin, percussive riddim joined by a phletora of exotic chirping sounds, haunting chorus bits and dirty laughter resulting in a mystic, slightly scary atmosphere: a true voodoo funker. flip over for a deeper ride with hypnotizing cut-up vocals and thick chords that will push you along up to the grand finale were the beat picks up and intensifies. comatizing dope on wax for ya dj box

interesting intro on this huge bit of bassline madness from d ranged with the scary vibes of the reece full a love song flip for claires journey a deeper expedition into the hard breaks sound (sb)

new wonder boy out of munich with an unbelievable 2 tracker, which reminds us a bit of the very best work of isole! mind you, that guy is just 17 years old and finishing school next year. but as professional as an highly experienced producer, with fresh crispy sounds and an unique driving arrangement. 'point of fainting' is actually a true story about a stranger calling up and whispering 'you gotta help us!' û scary thoughààbut with that great music on top just a genius and a break you will be quite irritated as a dj!

2cd reissue collector - triple gatefold - booklet

the new compilation features just some of the talent that the label champions and offers up a decisive musical statement whether you are going to the upcoming tour or not